![]() He co-wrote the smash, which he sang, with Savage Garden partner Daniel Jones. “That song changed my life and continues to do so,” Darren Hayes told Billboard in 2011. 28, 1998, Hot 100, it dipped 3-5 after two weeks at No. Said Warren, “I love writing the emotional ones, what can I say? I’m a song sadist: I like to rip your heart out and make you cry.”Īnother historic hit infused the Hot 100’s top 10 alongside Rimes’: “Truly Madly Deeply” reigned as the Adult Contemporary chart’s top song as recapped upon the survey’s 50th anniversary in 2011. I loved it from the very moment Diane played it for me.” “There’s magic to great songwriters, their heartfelt lyrics and the right voice that soulfully delivers that message, and we seem to have been the perfect storm. “Diane really hit the co-dependency nerve of our society with ‘How Do I Live’ – it’s played at weddings, funerals and just about every pivotal life-altering moment,” Rimes told Billboard in 2019. The ballad was also written by a woman: Diane Warren, who has penned 32 Hot 100 top 10s, including nine No. 2 for four frames on the weekly Hot 100 and receded 4-6 on the Feb. 6 on the Greatest of All Time Hot 100 Songs retrospective. The song is the most successful by a female artist in the Hot 100’s history, ranking at No. Image Credit: Jeff Kravitz/FilmMagic, Inc Morris also co-directed the song’s official video, while the track was released on Boyz II Men’s Stonecreek Records imprint (via Epic Records). "I Don't Ever Want To See You Again," Uncle SamĪ back-to-back Boyz II Men connection: the group’s Nathan Morris solo wrote and produced Uncle Sam’s breakthough break-up ballad, which slipped to No.1, from “End of the Road” in 1992 through “4 Seasons of Loneliness” in 1997, and their 50 total weeks on top are fifth-best all-time, after only Mariah Carey (91), Rihanna (60), The Beatles (59) and Drake (54). This song marked their 10th, and most recent, descending to No. Overall, only Paul McCartney/The Beatles and Michael Jackson/the Jacksons are also in the exclusive club.īoyz II Men boasted the most Hot 100 top 10s among groups, or any male act, during the ’90s, with 10. The song marked the act’s first of 10 top 10s and helped set Beyoncé on the path to solo superstardom: She has since scored 21 solo top 10s, becoming the first woman with at least 20 solo top 10s and 10 as a member of a group. The first Hot 100 hit for Destiny’s Child – then comprising Beyoncé, LeToya Luckett, LaTavia Roberson and Kelly Rowland – retreated 8-9 on the Feb. Image Credit: Vinnie Zuffante/Michael Ochs Archives/GI From Puff Daddy & The Family’s introductory album No Way Out, it also brought two prior hits back to the chart’s upper reaches, as it samples David Bowie’s “Let’s Dance” and interpolates Lisa Stansfield’s “All Around the World.” The former led for a week in 1983 and the latter hit No. 28, 1998-dated chart, down 5-10 after peaking at No. The all-star song spent its 12th and last week in the Hot 100’s top 10 on the Feb. Image Credit: Marvin Joseph/The The Washington Post via GI "Been Around the World," Puff Daddy & The Family (feat.He said, ‘Aren’t those your themes?’ This is Celine Dion. I was sweating, but I played it.” Cameron’s reaction? “He couldn’t believe it. “On one occasion, he was really excited about a special effect that had just been completed. “I was waiting for an especially good mood,” Horner said. “She was singing like her life depended on it.” ![]() ![]() “It was just electrifying,” Horner recalled. Impressed, Dion likewise fell for Titanic following a private screening, taken by the film’s love story.įive weeks later, she recorded it. 1 on the Hot 100) continued tracing the steps that the song took to its lasting legacy: Horner surreptitiously met with Dion and her husband René Angélil, as he had long known the couple, and played a demo. Taylor’s story (which ran the week that “Heart” hit No. It was casting more than it was trying to find a superstar to sing it.” “For me, the only person that could do that was Celine. As for the vocalist, “I needed an opera singer more than pop singer to bring all the emotional qualities I wanted,” Horner told Billboard. Horner, however, ultimately decided that he wanted a song to contrast the movie’s orchestral arrangements. Notably, James Cameron, who solely wrote and directed Titanic, had originally forbidden that the film’s end-credits song include vocals. The Oral History of Celine Dion’s ‘My Heart Will Go On’: Controversies, Doubts & ‘Belly Pains’ In…
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